RABAT (Reuters) - Morocco’s most popular satirist urged foreign artists attending the country’s biggest film festival to be aware of what he called the Muslim kingdom’s obsession with censorship.
Ahmed Snoussi, known as Bziz, is popular with millions of Moroccans, even though he said the state had excluded him from its radio and television stations, and theatres, since 1988. The government says he is not banned or censored.
“I’m telling the festival guests that the event they are attending is a fake setting that is unable to veil the real plight of freedom of thought, opinion and press in Morocco,” he told Reuters by telephone from the Marrakech Cinema Festival which opened on Friday.
“The only show the authorities are offering to me is about my own ban and exclusion. They are obsessed by censorship because they see threats coming from every place.”
Actors, producers and directors from Europe, Africa, Asia and the United States are attending the nine-day festival, part of a government drive to promote Morocco’s physical and cultural assets to foreign film-makers.
Bziz, which means buzzing wasp in Moroccan Arabic dialect, has been hugely popular in theatres and university campuses since the early 1980s with jokes about crackdowns on dissidents, vote-rigging and the royal monopoly on power and wealth.
Bziz performs at university camps and festivals, and other events organised by opposition leftist groups and civic associations. He also distributes records and CDs of his act.
Morocco is widely regarded as the most open Arab state but rights groups there complain there are restrictions on freedoms of speech and opinion.
“There is a contrast between the good image of Morocco abroad because of the state propaganda and the reality of freedoms on the ground which is not good,” said Abdeslam Abdellah, spokesman of the independent Moroccan Human Rights Association.
“We asked the government repeatedly to lift the ban on Bziz but he is still banned. That is an example of the gap between government talks about respect of rights and reality,” he told Reuters.
That last quote says it best.
Earlier this year, the Moroccan government began banning websites. Livejournal, photo sites, other similar blogging sites; to protect the people against what other people could possibly be freely posting on those sites (of course the government missed the point and left open all sorts of other blogging sites such as this one).
Before that, and for as long as Moroccans have had newspapers, I’m sure, the government has been marking subjects as taboo for the magazines and papers of Morocco. Of course, those such as Le Journal Hebdomodaire and Telquel regularly push the boundaries, unfortunately the boundary-pushing articles are usually about sex, a subject which is no longer titillating enough to be taboo, apparently. Just two weeks ago, both magazines wrote about sexual dissatisfaction of married couples in the country - how…fascinating?
In 2003, the editor of Demain and Douman, a French- and an Arabic-language weekly, was cut off by his printer after a scandal wherein he “insulted the person of the king” - the cutoff was a harsh blow on top of the fact that he faced three to five years in prison for his crime.
So while sex is alright, and Le Journal Hebdomodaire published an article on the still-underground Moroccan hip hop scene this week and public figures like Hamidou Laanigri can be made fun of, the king is entirely taboo. “The person of the king is inviolable and sacred,” according to article 23 of the Moroccan constitution (Reporters Without Borders). He can be photographed on a jet-ski, but how he paid for that jet-ski and hundreds of other things? Forbidden.
So now, the Marrakech Film Festival, held in the schizophrenic city of Marrakech where girls ride around on motorbikes and nightclubs are open 7/7, but the city eats, breathes, and sleeps by the sound of the muezzin will host hundreds of foreign film artists, bringing potentially millions of dollars…
And ROMAN POLANSKI is the head of jury. Polanski is of course best known in the United States for fleeing the country in 1978 days before his sentencing for raping a 13-year-old girl was supposed to occur. He is also known for being the widower of Sharon Tate, who was murdered along with her unborn child in 1969 by Charles Manson and his cult. In 1989, the judge who had been in charge of Polanski’s case retired, stating that he couldn’t wait anymore for Polanski to return.
How interesting - one of the most controversial film figures in the United States (controversial by AMERICAN standards!) is now appearing in Marrakech. I have two sets of words for this, of course - one is “good for him,” the other is as Bziz said: “be careful.”
He’s right.